On the Duty of Civil Disobedience Essay -- Papers Henry David Thoreau

On the Duty of Civil Disobedience In a concise essay, Thoreau proffers a challenge to all men, "not to cultivate a respect for the law, so much as for the right." Over and over, almost redundantly, Thoreau stresses simplicity and individualism, as most transcendentalists (the new philosophical and literary movement of Thoreau's time) did. Thoreau clearly states, in his On the Duty of Civil Disobedience, that the government is unjust and doesn't represent the will of the people, that one man can't change the government, and that people succumb unconsciously to the will of the government. The first of these is a ridiculous notion; the second contradicted and supported alternately throughout the essay so that one cannot be sure of what they agree or disagree with while reading it because it always contradicts itself in the following paragraph; and the last, a well-thought-out and legitimate concept. Thoreau believed that "That government is best that governs least," (222) but his harsh feelings stemmed from his dislike of the government and its motivations at that time. He thought that everything the administration did was wrong: their head-turn at the treatment of slaves, their land-grabbing war with Mexico, and the taxes that Thoreau himself was imprisoned for refusing to pay. Even the basic system of government was unfair and biased to him. He thought that the majority system was unjust, "†¦ when the power is in the hands of the people, a majority are permitted †¦ to rule, not because they are most likely to be in the right, nor because this seems fairest to the minority, but because they are physically the strongest," (231) but what else can there be in a non-monarchical government? He shoots down the entire American gover... ...ch is a profoundly admirable position. On the Duty of Civil Disobedience is an opinionated yet sincere treatise on the efficaciousness and assumed power of the United States' democratic government. The three main points proposed in this discourse vary in sensiblity from tangible to impalpable. Unfortunately, it is a very difficult and, for some, uninteresting and exasperating reading because in many parts of his essay, Thoreau, through ramblings and descriptions, unwittingly contradicts himself many times. Because of this, he is, by many, disregarded as a great philosopher and considered a hypocrite, and one has to look deep to discover the real meaning behind his grand words and complex sentences. Works Cited i Henry David Thoreau - "Civil Disobedience" from A World of Ideas - Essential Readings for College Readers, Lee A. Jacobus, Bedford Books, 2008, 1849

Daughter of Kami: Shinto and Christian themes in ‘Nausica of the Valley of the Wind’

Religion has affected art for centuries, because human responses to art and religion involve similar processes: imagination and emotional involvement (Beit-Hallami, 1983). It seems natural for religion to continue its influence on popular culture, especially film, because of its wide reach. However, looking at Japan, is it possible for a â€Å"non-Japanese† religion like Christianity to exert influence its popular culture, and to what extent? To answer this question, we look at the 1984 animated film of Hayao Miyazaki, Nausicaà ¯Ã‚ ¿Ã‚ ½ of the Valley of the Wind (Kaze no Tani no Nausicaa). Nausicaà ¯Ã‚ ¿Ã‚ ½ is said to be the quintessential Miyazaki film (Osmond, 1998) and it earned 740 million yen, with almost a million viewers. It owes its popularity to the incorporation of universal themes like religion, the environment and industrialisation. It contains so many themes, both Japanese (feudalism, Shinto) and non-Japanese (Greek Mythology, Christianity, European medievalism). It is interesting to note that Miyazaki is often described as a humanist, following no particular religion, yet Nausicaà ¯Ã‚ ¿Ã‚ ½ contains an almost equal amount of references to Shinto and Christianity in the film. There are many English versions of the various terms and names of the characters in the film, partly because there is a more complex manga of the same name. For ease of reference to the film, I use names and terms as they appear in the English-dubbed version of Nausicaà ¯Ã‚ ¿Ã‚ ½ released in 2005, to convey the Shinto and Christian elements found in the film, looking at broad themes as well as symbols. Film synopsis The story in Nausicaà ¯Ã‚ ¿Ã‚ ½ takes place a thousand years after a global war, the â€Å"Seven Days of Fire.† Great Warriors, biological weapons with nuclear capabilities, destroyed everything. However, enclaves of surviving human colonies exist throughout the Fukai, or the Sea of Decay. ,The Fukai is a new ecosystem consisting of a vast toxic forest of giant fungi and giant insects with the Ohmu as guardians. The main protagonist is Princess Nausicaà ¯Ã‚ ¿Ã‚ ½, daughter of the ruler of the Valley, a feudal community protected from toxic spores by strong sea winds. She is a nature-loving pacifist with a gift for communicating with insects and animals. Lord Yupa, a wandering mentor, inspires her to find a way to stop the spread of the Fukai. Nausicaà ¯Ã‚ ¿Ã‚ ½ often explores the Fukai to obtain plant samples and cultivate them in her secret room. One day, an airship carrying a Great Warrior embryo crashes into the Valley. This embryo was first unearthed by the Pejites, but it was stolen by the imperialistic Tolmekians. These two states intend to use the Great Warrior to destroy the Fukai and the insects. In the struggle for the Great Warrior, Tolmekia invades the Valley. The Fukai and the insects are assaulted in this struggle, and the Ohmu are baited to the Valley to destroy it. Nausicaà ¯Ã‚ ¿Ã‚ ½ sacrifices herself before the Ohmu, thereby calming their rage. They bring her back to life and heal her wounds, and then return to the Fukai, leaving life to return to normal in the Valley. Now we will look at two religions that are referred to extensively in the film: Shinto and Christianity. Shinto Traditional Japanese religiosity is a mixture of Shinto, Buddhism, Confucianism and folk religions. â€Å"Shinto†, meaning â€Å"the way of the kami†, refers to the ancient native Japanese religious practices and sentiments. Shinto has four general tenets: worshipping and honouring the kami; love of nature; tradition and the family; and cleanliness (Picken, 1994, as cited in Wright, 2004). Muraoka Tsunetsugu (1964) distinguishes philosophical and ethical distinctive characteristics of Shinto: 1) accepting life and death, good and evil, as inevitable parts of the world we live in, and 2) reverence for the â€Å"bright† and â€Å"pure†, in all matter and thought, endeavoring to overcome physical pollution with rites of exorcism and bad thoughts with a â€Å"pure and bright heart†. The close link between humans, kami and nature, and the significance of purification and rituals are two themes in Japanese religion that carry on even to Japanese contempor ary religions today (Earhart, 1982). For the scope of this essay, I will look at the Shinto themes of harmony with nature, reverence for nature and life, and instance of purification and rituals found in Nausicaà ¯Ã‚ ¿Ã‚ ½. Wa, or harmony with nature is seen to be of utmost importance. One accepts the good and bad with nature, and tries to make peace with it. Miyazaki explains that Nausicaà ¯Ã‚ ¿Ã‚ ½ is based on a Phoenician princess in Homer's Odyssey and a Japanese heroine, a â€Å"princess who loved insects†1. Nausicaà ¯Ã‚ ¿Ã‚ ½ believes that humans and the Fukai can live together in peace. She embodies the â€Å"relational resonance with humanity and the natural world† suggested by Tucker (1999). At any rate, the surviving humans have to learn to live with the Fukai or risk destruction by insects. The telepathic Ohmu and other insects can be seen as kami, animistic spirits with powers. The Ohmu went â€Å"blind with rage† when Pejites speared a baby Ohmu in order to bait the Ohmu towards the Valley and destroy the Tolmekians. Disharmony with nature is seen to have damaging consequences. In Japan, nature is still venerated and exalted, even though the actual state of nature may be the opposite. Shinto is associated with reverence for nature and all forms of life. In the first few minutes of the film, Nausicaà ¯Ã‚ ¿Ã‚ ½ is shown flying on her aircraft into the Fukai. The toxic jungle is rendered beautifully, with glittering poisonous plants, translucent flying insects and serene music in the background. Here we see the unconditional beauty of nature, be it harmless or poisonous. In a following scene Nausicaà ¯Ã‚ ¿Ã‚ ½ comes across a shell of an Ohmu. It takes up almost the whole frame and Nausicaà ¯Ã‚ ¿Ã‚ ½ is miniscule in comparison. She pronounces the shell to be â€Å"perfect† and â€Å"amazing†. Embellished with vivid music, an image of a nature revered for its sacredness and perfection is projected. Reverence for nature also comes from seeing it as sacred, and from knowing its power. In the film, humans fear the lethal spores of the Fukai, and its constant spread. At the same time, as the viewer discovers later on, the Fukai actually has restorative powers. It is in fact cleansing the Earth of mankind's waste left behind from the Great War. Similarly, the Ohmu possess benevolent telepathic powers (although they can only communicate with Nausicaà ¯Ã‚ ¿Ã‚ ½) as well as the power to destroy humans and civilisation. In another scene, Kushana, commander of the Tolmekian army, announces her plan to burn the Fukai. In response, the Valley people exclaim in hushed tones, â€Å"Burn the Toxic Jungle?†, â€Å"Is it possible?† showing that they consider the Fukai indestructible. These powers of the Fukai and the Ohmu cause humans to fear and respect nature at the same time. Nausicaà ¯Ã‚ ¿Ã‚ ½ reveres the life of both humans and insects. She implores countless times to the warring Pejites and Tolmekians, â€Å"Please, no more killing!† and â€Å"I can't bear to have anyone else die†. Instead of killing insects that attack humans, she uses an insect charm to calm them down and coax them back to the jungle. This was the case with an Ohmu who was chasing Lord Yupa, and a giant insect that caused the crash of a Tolmekian airship. When two Pejites captured a baby Ohmu to use as bait, Nausicaà ¯Ã‚ ¿Ã‚ ½ risked injury and her life to try and return the baby Ohmu back to its herd. Being part of nature, both humans and insects are seen as equally important and worthy of preservation. Hence, we can see the importance of harmony with nature, because of its sanctity, power, and its inclusion of all forms of life. Another main theme in Shinto is the importance of purity and the use of rituals to overcome a state of contamination. In Nausicaà ¯Ã‚ ¿Ã‚ ½, the Earth has been polluted by mankind, the worst being the nuclear-like Great Warriors which ultimately resulted in the Earth's destruction. Nausicaa realises the toxic Fukai is actually purifying the world: wastes are absorbed by the trees, which turn into stone, crystallizing the poison into harmless sand. The Fukai symbolises a purifying ritual, comparable to how a â€Å"bright heart† would continuously purify itself by ridding itself of bad thoughts, or wastes. Nausicaà ¯Ã‚ ¿Ã‚ ½ is an example of a â€Å"pure and bright heart† (Tsunetsugu, 1964) who in her mission for peace, tries to purify the hearts of humans from their lust for war and bloodshed against each other and the Fukai. However, she does not have any clear â€Å"rituals† that she uses to achieve this purification except perhaps, her repeated self-sacrifice. In comparison, Kushana also has a purification ritual of her own. She wants to clear Earth of the Fukai by burning it and destroying it completely in order to build a â€Å"world of prosperity†. This idea of sacrifice brings us to the other religion alluded to repeatedly throughout the film: Christianity. Although Christianity is not native to Japan, and not very well-received throughout the years, its prophetic and theistic messages do have some universal value and some Japanese can relate to them as they are something different from the animistic elements of Shinto. Christianity In many ways, the appearance of strong elements of Christianity, a ‘foreign' religion, is not surprising. Miyazaki's work is strongly Western-influenced due to his education (Osmond, 1998). Christianity still has a relatively small following in Japan, because Shinto and Buddhist rituals are still a major part of Japanese life what it means to be ‘Japanese'. The Christian themes in Nausicaà ¯Ã‚ ¿Ã‚ ½ constitute one of many foreign elements that Miyazaki has appropriated into this film. Here we will look at three doctrines of Christianity: redemption, original sin, and resurrection. Throughout the film, Nausicaà ¯Ã‚ ¿Ã‚ ½ repeatedly saves people. When Lord Yupa, the samurai-like wanderer, returns to the Valley, he praises Nausicaà ¯Ã‚ ¿Ã‚ ½ by saying â€Å"Who else would rescue me when I'm in trouble?† In another scene, the barge carrying Valley hostages comes loose and is about to crash into the Fukai. Nausicaà ¯Ã‚ ¿Ã‚ ½ cries out to them â€Å"Everybody! I'll save you for certain!† These examples show the Messianic nature of Nausicaà ¯Ã‚ ¿Ã‚ ½. To further cement her image as a prophet-like being, in another scene Nausicaà ¯Ã‚ ¿Ã‚ ½ is speeding back to the Valley after escaping from a Tolmekian ship and in desperation she implores â€Å"Please dear God, please hear this prayer! You must protect the people of the Valley!† Obaba, the wise old woman of the valley, realises this explicitly for the benefit of viewers. At the beginning of the film, Obaba, or Grandmother, recounts the ancient legend of the saviour clad in blue who will come to save mankind and â€Å"guide the people†¦at last to a land of purity†. At the end of the film, she realises that Nausicaà ¯Ã‚ ¿Ã‚ ½ is the saviour spoken of in the legend. The theme of redemption is clearly portrayed in the film. However, why does mankind need to be saved? The doctrine of redemption comes hand in hand with the doctrine of the original sin. In the concept of the original sin, mankind is born in a state of sinfulness and is doomed to hell unless he is ‘saved' by accepting Christian beliefs. Lord Yupa explains that he wanders to find out â€Å"if mankind is truly fated to be swallowed up by (the Fukai), or if there is still some hope†. Obaba teases him, claiming that he is in fact looking for the blue-clad Saviour. The film addresses mankind's inevitable doom and the search for a saviour. Symbols play an important part in portraying the doctrine of resurrection. Nausicaà ¯Ã‚ ¿Ã‚ ½ appears twice with her arms outstretched – reminiscent of Jesus being crucified on the cross – when trying to stop Asbel and the Pejites from shooting. Here we see that Nausicaà ¯Ã‚ ¿Ã‚ ½ adopted such a gesture as a symbol of righteous fearlessness (she was determined to stop the killing that she felt was wrong) and surrender (she put herself at the Pejites' mercy). In trying to save her people from an attack by the Ohmus, Nausicaà ¯Ã‚ ¿Ã‚ ½ is shot twice, burned by acid and finally dies facing the Ohmu stampede. The Ohmus, however, revived Nausicaà ¯Ã‚ ¿Ã‚ ½. Her death and resurrection mirrors that of Jesus' after his death and burial. At the end of the film, a chiko plant grows in the pure sand in the Fukai, symbolising the resurrection of nature at last. We see that it is not only Nausicaà ¯Ã‚ ¿Ã‚ ½, but also nature, that is brought back to life. Conclusion In this essay, we have seen that Christianity can indeed influence a Japanese anime, however, the Shinto elements in Nausicaà ¯Ã‚ ¿Ã‚ ½ are far more extensive. The Shinto themes mainly stress mankind's relationship with nature while the Christian themes focus on mankind's destiny. Apparently Miyazaki did not intend to have such religious overtones in Nausicaà ¯Ã‚ ¿Ã‚ ½. However, in the spirit of symbolic interactionism, these religious themes nevertheless have meaning for those who ascribe meanings to them. Viewers (like me) interpret the images and scenes in the film and make sense of them in different frameworks, such as religion. Did Nausicaà ¯Ã‚ ¿Ã‚ ½ manage to truly unite mankind with nature? Perhaps through the medium of popular cultures, she serves as a â€Å"female Japanese prophet† to remind us to strive towards peace and harmony with nature and mankind.

The Feminism Of Harriet Jacobs - 1260 Words

Nehemiah Walls Oct. 29, 2016 Eng.333 The Feminism of Harriet Jacobs Since the early annuls of history minority groups have always faced opposition for the dominating forcing. As a counter rebuttal movements and uprisings usually occurred in order to correct and promote better treatment within these oppressed groups. Feminism served as a mechanism to promote equity amongst gender, sexual, ethnic, and even economic lines. Notwithstanding, there still looms bigotry and oppression from the heavily dominated ideals of the elite patriarchy. Harriet Jacobs’s personal narrative, â€Å"Incidents in the Life of Slave Girl† unveils the objectification, exploitation, and feminist perceptions of liberation from the reins of a heavily dominated white patriarchal society during the 19th century through the experiences of the main character Linda Brent. How did Jacobs reveal the hardships that slave women faced through the eyes of Linda Brent? While captive black women faced constant sexual encroachments by their slave h olders, Richard Follett, author of the article, â€Å"‘Lives of Living Death’: The reproductive lives of slave women in the cane world of Louisiana† stated, â€Å"despite the enormous burdens that enslavement imposed on them†¦bondwomen challenged the misogynist assumptions that underpinned plantation practices† (Follett pg. 290). Notwithstanding Follett’s proposal, Jacobs refute his claims of â€Å"bondwomen† challenging the sexual advancements of their masters. Brent describes a situationShow MoreRelatedThe Life Of A Slave Girl By Harriet Jacobs1335 Words   |  6 PagesHarriet Jacobs wrote Incidents in the Life of a Slave Girl (Incidents) to plead with free white women in the north for the abolition of slavery. She focused on highlighting characteristics that the Cult of True Womanhood and other traditional protestant Christians idolized in women, mainly piety, purity, domesticity, and submissiveness. Yet, by representing how each of her characters loses the ability to maintain the prescribed values, she presents the strong moral framework of the African AmericanRead MoreEssay about Harriet Jacobs Incidents In The Life Of A Slave Girl1355 Words   |  6 PagesHarriet Jacobs Incidents In The Life Of A Slave Girl The feminist movement sought to gain rights for women. Many feminist during the early nineteenth century fought for the abolition of slavery around the world. The slave narrative became a powerful feminist tool in the nineteenth century. Black and white women are fictionalized and objectified in the slave narrative. White women are idealized as pure, angelic, and chaste while black woman are idealized as exotic and contained an uncontrollableRead MoreIncidents in the Life of a Slave Girl - Feminism Essays1364 Words   |  6 Pagesuncontrollable, savage sexuality. 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Therefore, we say the next wave of feminism is the feminism’s second wave.In this wave, they raised topics according to situationRead MoreIncidents Throughout The Life Of A Slave Girl By Harriet Jacobs1505 Words   |  7 PagesIncidents in the life of a slave girl’ written by Harriet Jacobs and published by L.Maria Child (in 1831), is an autobiography by the author herself which documents Jacobs life as a slave and therefore The book starts when Jacobs is born as a slave in a city of North Carolina and then continues through her escape, her status as a runaway fugitive in the North, and finally her path to freedom when one of her northern white friends buys her in the year 1852. Incidents in the Life of a Slave GirlRead MoreThe Path to Aboliton 1312 Words   |  5 Pagesstories for the world to read and criticize. Another famous narrative was written by Harriet Jacobs, Incidents in the Life of a Slave Girl. 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